Analysis of W. A. Mozart's Keyboard Sonata in A Major, T. 331: Initial Movement Classical composer Wolfgang Amadeus Mozart was born to Leopold and Anna Maria Mozart in 1756 in Salzburg, Luxembourg (then the Holy Roman Empire in the German Nation). Mozart revealed promise in music from an early age, prompting his father to assume the role because his instructor. His father described his son like a gift coming from God, and Leopold nurtured Wolfgang's talents as such. Mozart would at some point travel during Europe together with his musical friends and family; however , it had been in Salzburg that he'd compose three piano sonatas in 1783. These parts were most likely composed intended for Mozart's learners in Vienna, who were a substantial source of income intended for him at the moment. This daily news concerns the other of the 3: Sonata within a major, K. 331, specifically the 1st movement. The following explores the standard form of the piece, melodic and harmonic structure, along with examination of strategies used to fluctuate the topic. The overall sort of this movements is theme and variation. This form is usually characteristic of numerous solo sonatas; however , it is atypical for a first movement of a traditional sonata. More often, the initially movement would be in sonata form. This movement shows the theme in the 1st 18 measures as seen in Fig. 1(pg. 2). You will discover two 4-bar phrases, the first closing on a fifty percent cadence and the second over a perfect real cadence, that repeat. This kind of forms precisely what is called a " period, вЂќ where we certainly have two comparable phrases linked by a half cadence. Inside the second period, Mozart introduces new material, developing the long-short motive for 4 measures and continuing to a half mouvement. After this this individual returns for the original tune for 4 bars, and ends the phrase on the root location imperfect traditional cadence. Following is a 2-measure extension, closing with a cadential 6/4 to give a strong ideal authentic mesure. Each movements follows similar structure other than variation VI, in which the last repeat mesure...
Bibliography: Brown, Peter. " Amadeus and Mozart: Environment the Record Straight. вЂќ The American Scholar. 61(1992): 49-52.
Heartz, Daniel. Mozart, Haydn, and Early Mozart: 1781-1802. Ny: W. W. Norton & Company, 2009.
[ 3 ]. Daniel Heartz, Mozart, Haydn, and Early on Beethoven: 1781-1802, (New York: W. T. Norton & Company, 2009), 52-4.